Resumen del episodio
Although not commercially successful, this album is a Kinks classic. A "concept" album about Ray Davies' desire for the nostalgia of "Olde England" is played out with songs about Village Greens, Steam Trains and Photographs.
Although not commercially successful, this album is a Kinks classic. A "concept" album about Ray Davies' desire for the nostalgia of "Olde England" is played out with songs about Village Greens, Steam Trains and Photographs.
Episodios
Discumentary: Discumentary featuring The Kinks "...are the Village Green Preservation Society" (1968)
EscuchadoAlthough not commercially successful, this album is a Kinks classic. A "concept" album about Ray Davies' desire for the nostalgia of "Olde England" is played out with songs about Village Greens, Steam Trains and Photographs.
Discumentary: Discumentary featuring Robyn Hitchcock and the Egyptians "Globe of Frogs" (1988)
EscuchadoThis could be considered Robyn Hitchcock's break out album, but it's also the band's major label debut. Globe of Frogs demonstrates Hitchcock's quirky songwriting with members of the Soft Boys, R.E.M. and Squeeze along for the ride.
Discumentary: Discumentary featuring Beck "Odelay" (1996)
EscuchadoArmed with more than two turntables and a microphone, Beck's sophomore effort mixes various genres of music together, resulting in an album that bridges the gap between country and hip hop. Produced by the Dust Brothers, this is Beck's most talked about album.
Discumentary: Discumentary featuring Eurythmics "Touch" (1983)
EscuchadoMany call this a groundbreaking album, as it experimented with rapid electronic beats long before the word "techno" was ever thought up as a music genre. It was also tremendously successful commercially, generating three hits that were eased into popularity thanks to the newly assembled MTV.
Discumentary: Discumentary featuring James Brown "Live at the Apollo" (1963)
EscuchadoJames Brown and his 16-piece band did a weeklong stint at Harlem's Apollo Theater late in 1962. This live recording was financed completely by Brown, and he went against his record label's wishes to make it in the first place. The album has been called one of the greatest live albums ever recorded, and was on the album charts for close to a year and a half.